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TASCAM GigaEditor 4 Manual 9
This window is very similar to the Open dialog in other programs, but there are a few features that are
specific to GigaStudio:
e Recent dropdown list contains a list of the most recently used folders. Selecting a folder in this list
causes the window to jump directly to that folder.
e Sample name box lists all of the samples in the currently selected instrument le. Select any sample in
this list and click the Play button to hear that sample. If you are working with instrument les containing
large numbers of samples, the dialog may respond slowly as it reads the sample names out of each le. To
work around this problem, uncheck the Descriptive wave names box. e names are replaced by simple
numeric indexes.
e Audition button plays the audition sample for the currently selected le. (e “audition sample” is a
sample designated by the instrument developer as being representative of a given instrument. Users of your
instrument will hear this sample when using the audition feature of the QuickSound Explorer.)
e Maximum le size box, and the checkboxes underneath it, are used when it is necessary to split an
instrument into more than one physical le. For details, see the note about large .GIG les on page 99.
Loading a .GIG file into the sampler
Aer you open a .gig le in the Editor, you must load it into memory if you want to hear it. is is
accomplished by pressing the Load button on the toolbar:
The toolbar also specifies which MIDI port and channel will be assigned to the loaded instrument. By
default, the first file you open is assigned to port 1, channel 1, but you can modify these settings using the
toolbar.
When the le is loaded, the LOADED indicator turns bright green.
At this point you can play the rst instrument in the le either from an external MIDI controller, or by
right-clicking in the Region Window keyboard. If there are multiple instruments in the le, you can select a
dierent instrument onto the assigned MIDI channel by clicking its name in the Instrument Window.
- TASCAM GigaEditor 4 1
- Table of Contents 3
- What’s New? 5
- Anatomy of a .GIG File 10
- Instruments 11
- Regions 11
- Dimensions 12
- Samples 12
- Articulation Parameters 12
- Creating a New File 14
- Importing Samples 14
- Creating sample folders 15
- The Import samples command 16
- The Import directory command 18
- Importing Pitch Information 22
- Creating a Region 23
- Creating a Dimension 27
- Mapping Samples to a Region 29
- Hearing Your Work 31
- A Faster Way To Work 31
- More About Sample Mapping 37
- Creating the velocity split 40
- Mapping the Samples 42
- Playback Monitoring 44
- Adding a Second Dimension 46
- Kick Drum 58
- Snare Drum 64
- Cymbals 71
- Hi-Hats 75
- Preparing the Samples 83
- Load Status 94
- Load Indicator Lights 95
- File Menu 97
- Edit Menu 101
- MIDI Menu 111
- View Menu 111
- Window Menu 113
- Help Menu 113
- The Bank/Instrument Window 114
- Sample Icons 122
- Sample Window Menu Commands 123
- The Region Window 130
- Selecting Regions 132
- The Region Context Menu 133
- The Waveform Window 136
- LFO View 137
- The Dimension Windows 138
- The Velocity Window 139
- The Velocity Context Menu 144
- Additional Dimension Windows 145
- The Dimension Context Menu 148
- Selection lock buttons 148
- The Articulation Window 149
- Envelope Modulation Settings 152
- Filter Settings 156
- Response Settings 161
- Mix/Layer Settings 163
- Sample Settings 167
- Editing in the Region Window 172
- Drag Modes 173
- Chapter 10: Macros 177
- Saving Macros 177
- Applying Macros 179
- Editing Macros 180
- Using the iMIDI Rule Manager 183
- The Transpose Rule 184
- The MIDI Filter Rule 185
- The Legato Mode Rule 185
- Legato Rule settings 186
- The Repetition Mode Rule 188
- The Pattern Alternator Rule 188
- Editing a pattern 190
- Multiple Patterns 191
- The Controller Trigger Rule 192
- The Rule Builder 194
- Designing a custom filter 195
- The Mando-Tremolo Rule 197
- Mono Rule: Staccato mode 199
- Region Layout 206
- Appendix 209
- PerfUtility 209
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